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HASH Serif (KH Giga)

A serif reserved for occasional quotes and editorial callouts in marketing and sales material.

Specimen

Edit the specimen to try your own text at any weight or size.

HASH Serif has an extremely limited role in our typography. Use KH Giga for selected direct quotes from people and short editorial callouts, generally in marketing and sales material. Its pronounced serifs work best in brief passages at generous sizes, with HASH Sans handling the surrounding copy.

When to use Serif

  • A person's words: a customer testimonial, an interview excerpt, or a pull quote in a case study. Keep the wording exact and set the person's name and role in HASH Sans.
  • An editorial callout: a short passage in a presentation, campaign page, or sales document where a change of typeface helps distinguish it from the main explanation.
  • An occasional display line: a brief introduction or section opener in a designed marketing layout. Use this sparingly so the exception remains meaningful.

Use Regular as a starting point. Give the letterforms room, check line breaks at the final size, and keep contrast high. Keep product headings, body copy, navigation, buttons, forms, and data tables in HASH Sans. Standard product notices and status callouts also use HASH Sans.

Available weights

Five weights: Light (300), Regular (400), Medium (500), Bold (700), and Black (900). Start with Regular for quotes and short editorial passages. Light needs generous size and contrast; the heavier weights suit occasional display lines. Keep every weight within Serif’s limited role in marketing and sales material.

  • Light300
    A voice worth hearing.
  • Regular400
    A voice worth hearing.
  • Medium500
    A voice worth hearing.
  • Bold700
    A voice worth hearing.
  • Black900
    A voice worth hearing.

OpenType features

These examples use the site's KH Giga Regular font. Stylistic sets change letters or punctuation; numeric features control figure width, height, and notation. Choose Side-by-side to compare both states or Overlay to switch a larger specimen in place. In Overlay view, use the On/Off switch beside each feature name.

Stylistic alternates

Alternate ass01
Offaá
Onaá

An alternate construction for a and its accented forms.

Alternate Qss02
OffQ
OnQ

A different tail on the capital Q.

Alternate bracketsss03
Off(Ab)
On(Ab)

Alternative forms for parentheses and brackets.

Ampersand 1ss04
Off&
On&

The first of four alternate ampersand constructions.

Ampersand 2ss05
Off&
On&

The second alternate ampersand construction.

Ampersand 3ss06
Off&
On&

The third alternate ampersand construction.

Ampersand 4ss07
Off&
On&

The fourth alternate ampersand construction.

Bracketed at signss08
Off@
On@

An at sign with brackets around the central letter.

Numbers and notation

Use lining figures for standalone numbers and oldstyle figures when their changing height suits an editorial passage. Tabular figures align values; proportional figures follow each digit's width.

Lining numeralslnum
Oldstyle012345
Lining012345

Full-height figures for interface labels and headings.

Oldstyle numeralsonum
Off012345
On012345

Figures with ascenders and descenders, for the rhythm of running text.

Proportional numeralspnum
Tabular111888
Proportional111888

Each figure uses the width its shape needs.

Tabular numeralstnum
Proportional111888
Tabular111888

Equal-width figures keep values aligned in columns.

Fractionsfrac
Off1/2 3/4
On1/2 3/4

A numerator, fraction slash, and denominator form a compact fraction.

Numeratorsnumr
Off012345
On012345

Raised figures for the upper part of a fraction.

Denominatorsdnom
Off012345
On012345

Small baseline figures for the lower part of a fraction.

Superscriptssups
Off12+34
On12+34

Raised figures and signs for powers and references.

Subscriptssubs
Off12+34
On12+34

Lowered figures and signs for indices and notation.

Scientific inferiorssinf
Off12+34
On12+34

Lowered figures for scientific notation; these share the subscript forms.

Ordinalsordn
Off1a 2o
On1a 2o

Raised ordinal letters after numbers, where the language calls for them.

Typesetting features

Keep kerning, ligatures, contextual alternates, and accent handling enabled for normal setting. The contextual example shows T adjusting before y. The accent examples are diagnostic sequences: watch the dot on j, the accent over H, and the stacked accents over n. Common sequences such as A plus diaeresis can become a precomposed glyph before these features run, making an Off/On comparison identical.

Case-sensitive formscase
Off[H:H]
On[H:H]

Punctuation and symbols adjusted to sit alongside capitals.

Standard ligaturesliga
Offfi fl
Onfi fl

Joined letterforms for common combinations.

Contextual alternatescalt
OffType
OnType

Look at the right serif of T: its shape and spacing adjust before y.

Character compositionccmp
Offj́Dot retained
Onj́Dot removed

Look at the dot on j: composition replaces it with a dotless form so the acute accent can sit above the stem. The typed characters stay the same.

Kerningkern
OffAVATAR
OnAVATAR

Adjusts space between particular pairs of letters.

Mark positioningmark
OffH́Accent unpositioned
OnH́Accent anchored

Look at the acute accent: mark positioning moves it above the center of H. This sequence stays as a letter plus a separate mark in these fonts.

Mark-to-mark positioningmkmk
Offn̈́Accents overlap
Onn̈́Accents stacked

Look at the acute accent above n: it rises above the diaeresis instead of colliding with its dots. This is a diagnostic sequence for stacked marks.

/* An alternate lowercase a. */
font-feature-settings: "ss01" 1;

/* Proportional oldstyle figures in an editorial passage. */
font-variant-numeric: oldstyle-nums proportional-nums;

Character set

Character preview

Hover or focus on a character to see it here. Click to pin it.

504 visible Unicode characters in the site’s Regular font, followed by numeric and stylistic variants. Combining accents use a dotted circle to make their position visible. Hover or focus to inspect a character; click to pin it. Use the arrow keys to explore the grid.

Uppercase Latin
Lowercase Latin
Extended uppercase Latin
Extended lowercase Latin
Lining numerals
Fractions
Circled numerals
Superscript characters
Subscript characters
Currency
Arrows
Mathematics
Greek symbols
Punctuation
Diacritics
Symbols and additional letters
Proportional liningpnum 1, lnum 1
Tabular liningtnum 1, lnum 1
Proportional oldstylepnum 1, onum 1
Tabular oldstyletnum 1, onum 1
Numeratorsnumr 1
Denominatorsdnom 1
Composed fractionsfrac 1
Alternate ass01 1
Alternate Qss02 1
Alternate bracketsss03 1
Ampersand 1ss04 1
Ampersand 2ss05 1
Ampersand 3ss06 1
Ampersand 4ss07 1
Bracketed at signss08 1

The grid covers visible encoded characters, followed by numeric and stylistic variants. Spacing and unencoded composition glyphs are not separate letters to type.

Language support

92 languages listed for the family. This is Latin-script coverage, including the Latin forms of languages written in more than one script.

  • Afrikaans
  • Albanian
  • Asu
  • Basque
  • Bemba
  • Bena
  • Breton
  • Catalan
  • Chiga
  • Colognian
  • Cornish
  • Croatian
  • Czech
  • Danish
  • Dutch
  • Embu
  • English
  • Estonian
  • Faroese
  • Filipino
  • Finnish
  • French
  • Friulian
  • Galician
  • Ganda
  • German
  • Gusii
  • Hungarian
  • Inari Sami
  • Indonesian
  • Irish
  • Italian
  • Jola-Fonyi
  • Kabuverdianu
  • Kalenjin
  • Kamba
  • Kikuyu
  • Kinyarwanda
  • Latvian
  • Lithuanian
  • Lower Sorbian
  • Luo
  • Luxembourgish
  • Luyia
  • Machame
  • Makhuwa-Meetto
  • Makonde
  • Malagasy
  • Maltese
  • Manx
  • Meru
  • Morisyen
  • Northern Sami
  • North Ndebele
  • Norwegian Bokmål
  • Norwegian Nynorsk
  • Nyankole
  • Oromo
  • Polish
  • Portuguese
  • Quechua
  • Romanian
  • Romansh
  • Rombo
  • Rundi
  • Rwa
  • Samburu
  • Sango
  • Sangu
  • Scottish Gaelic
  • Sena
  • Serbian
  • Shambala
  • Shona
  • Slovak
  • Soga
  • Somali
  • Spanish
  • Swahili
  • Swedish
  • Swiss German
  • Taita
  • Teso
  • Turkish
  • Upper Sorbian
  • Uzbek (Latin)
  • Volapük
  • Vunjo
  • Walser
  • Welsh
  • Western Frisian
  • Zulu

Licensing

KH Giga is a commercial typeface designed by Jakob Ekelund and Wille Larsson.

HASH has an unlimited license to use this typeface in any medium, across any number of users and devices, including embedded in applications (both mobile and desktop), in print, and on the web.

No license or other right to use this typeface is granted to any third party.

See HASH Sans and HASH Mono, or return to Typography for text styles and usage guidance.

Last updated on 2026-10-31

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