HASH Serif (KH Giga)
A serif reserved for occasional quotes and editorial callouts in marketing and sales material.
Specimen
Edit the specimen to try your own text at any weight or size.
HASH Serif has an extremely limited role in our typography. Use KH Giga for selected direct quotes from people and short editorial callouts, generally in marketing and sales material. Its pronounced serifs work best in brief passages at generous sizes, with HASH Sans handling the surrounding copy.
When to use Serif
- A person's words: a customer testimonial, an interview excerpt, or a pull quote in a case study. Keep the wording exact and set the person's name and role in HASH Sans.
- An editorial callout: a short passage in a presentation, campaign page, or sales document where a change of typeface helps distinguish it from the main explanation.
- An occasional display line: a brief introduction or section opener in a designed marketing layout. Use this sparingly so the exception remains meaningful.
Use Regular as a starting point. Give the letterforms room, check line breaks at the final size, and keep contrast high. Keep product headings, body copy, navigation, buttons, forms, and data tables in HASH Sans. Standard product notices and status callouts also use HASH Sans.
Available weights
Five weights: Light (300), Regular (400), Medium (500), Bold (700), and Black (900). Start with Regular for quotes and short editorial passages. Light needs generous size and contrast; the heavier weights suit occasional display lines. Keep every weight within Serif’s limited role in marketing and sales material.
- LightA voice worth hearing.
300 - RegularA voice worth hearing.
400 - MediumA voice worth hearing.
500 - BoldA voice worth hearing.
700 - BlackA voice worth hearing.
900
OpenType features
These examples use the site's KH Giga Regular font. Stylistic sets change letters or punctuation; numeric features control figure width, height, and notation. Choose Side-by-side to compare both states or Overlay to switch a larger specimen in place. In Overlay view, use the On/Off switch beside each feature name.
Stylistic alternates
ss01An alternate construction for a and its accented forms.
ss02A different tail on the capital Q.
ss03Alternative forms for parentheses and brackets.
ss04The first of four alternate ampersand constructions.
ss05The second alternate ampersand construction.
ss06The third alternate ampersand construction.
ss07The fourth alternate ampersand construction.
ss08An at sign with brackets around the central letter.
Numbers and notation
Use lining figures for standalone numbers and oldstyle figures when their changing height suits an editorial passage. Tabular figures align values; proportional figures follow each digit's width.
lnumFull-height figures for interface labels and headings.
onumFigures with ascenders and descenders, for the rhythm of running text.
pnumEach figure uses the width its shape needs.
tnumEqual-width figures keep values aligned in columns.
fracA numerator, fraction slash, and denominator form a compact fraction.
numrRaised figures for the upper part of a fraction.
dnomSmall baseline figures for the lower part of a fraction.
supsRaised figures and signs for powers and references.
subsLowered figures and signs for indices and notation.
sinfLowered figures for scientific notation; these share the subscript forms.
ordnRaised ordinal letters after numbers, where the language calls for them.
Typesetting features
Keep kerning, ligatures, contextual alternates, and accent handling enabled for normal setting. The contextual example shows T adjusting before y. The accent examples are diagnostic sequences: watch the dot on j, the accent over H, and the stacked accents over n. Common sequences such as A plus diaeresis can become a precomposed glyph before these features run, making an Off/On comparison identical.
casePunctuation and symbols adjusted to sit alongside capitals.
ligaJoined letterforms for common combinations.
caltLook at the right serif of T: its shape and spacing adjust before y.
ccmpLook at the dot on j: composition replaces it with a dotless form so the acute accent can sit above the stem. The typed characters stay the same.
kernAdjusts space between particular pairs of letters.
markLook at the acute accent: mark positioning moves it above the center of H. This sequence stays as a letter plus a separate mark in these fonts.
mkmkLook at the acute accent above n: it rises above the diaeresis instead of colliding with its dots. This is a diagnostic sequence for stacked marks.
/* An alternate lowercase a. */
font-feature-settings: "ss01" 1;
/* Proportional oldstyle figures in an editorial passage. */
font-variant-numeric: oldstyle-nums proportional-nums;Character set
Hover or focus on a character to see it here. Click to pin it.
504 visible Unicode characters in the site’s Regular font, followed by numeric and stylistic variants. Combining accents use a dotted circle to make their position visible. Hover or focus to inspect a character; click to pin it. Use the arrow keys to explore the grid.
- Uppercase Latin
- Lowercase Latin
- Extended uppercase Latin
- Extended lowercase Latin
- Lining numerals
- Fractions
- Circled numerals
- Superscript characters
- Subscript characters
- Currency
- Arrows
- Mathematics
- Greek symbols
- Punctuation
- Diacritics
- Symbols and additional letters
- Proportional lining
pnum 1, lnum 1 - Tabular lining
tnum 1, lnum 1 - Proportional oldstyle
pnum 1, onum 1 - Tabular oldstyle
tnum 1, onum 1 - Numerators
numr 1 - Denominators
dnom 1 - Composed fractions
frac 1 - Alternate a
ss01 1 - Alternate Q
ss02 1 - Alternate brackets
ss03 1 - Ampersand 1
ss04 1 - Ampersand 2
ss05 1 - Ampersand 3
ss06 1 - Ampersand 4
ss07 1 - Bracketed at sign
ss08 1
The grid covers visible encoded characters, followed by numeric and stylistic variants. Spacing and unencoded composition glyphs are not separate letters to type.
Language support
92 languages listed for the family. This is Latin-script coverage, including the Latin forms of languages written in more than one script.
- Afrikaans
- Albanian
- Asu
- Basque
- Bemba
- Bena
- Breton
- Catalan
- Chiga
- Colognian
- Cornish
- Croatian
- Czech
- Danish
- Dutch
- Embu
- English
- Estonian
- Faroese
- Filipino
- Finnish
- French
- Friulian
- Galician
- Ganda
- German
- Gusii
- Hungarian
- Inari Sami
- Indonesian
- Irish
- Italian
- Jola-Fonyi
- Kabuverdianu
- Kalenjin
- Kamba
- Kikuyu
- Kinyarwanda
- Latvian
- Lithuanian
- Lower Sorbian
- Luo
- Luxembourgish
- Luyia
- Machame
- Makhuwa-Meetto
- Makonde
- Malagasy
- Maltese
- Manx
- Meru
- Morisyen
- Northern Sami
- North Ndebele
- Norwegian Bokmål
- Norwegian Nynorsk
- Nyankole
- Oromo
- Polish
- Portuguese
- Quechua
- Romanian
- Romansh
- Rombo
- Rundi
- Rwa
- Samburu
- Sango
- Sangu
- Scottish Gaelic
- Sena
- Serbian
- Shambala
- Shona
- Slovak
- Soga
- Somali
- Spanish
- Swahili
- Swedish
- Swiss German
- Taita
- Teso
- Turkish
- Upper Sorbian
- Uzbek (Latin)
- Volapük
- Vunjo
- Walser
- Welsh
- Western Frisian
- Zulu
Licensing
KH Giga is a commercial typeface designed by Jakob Ekelund and Wille Larsson.
HASH has an unlimited license to use this typeface in any medium, across any number of users and devices, including embedded in applications (both mobile and desktop), in print, and on the web.
No license or other right to use this typeface is granted to any third party.
See HASH Sans and HASH Mono, or return to Typography for text styles and usage guidance.
Last updated on 2026-10-31
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